We have gone official. From this humble blog, it gives me great pleasure to introduce to you the new vastly improved
There is a great competition running all through April so be sure not to miss out.
73/365
p&&l
bang!
Now moved to http://bangthedj.com
We have gone official. From this humble blog, it gives me great pleasure to introduce to you the new vastly improved
There is a great competition running all through April so be sure not to miss out.
73/365
p&&l
bang!
So here we are, the very last post in the 365 day chain. I feel great pressure to write something deeply insightful and profound. I could always just link off to a youtube video or something? Shall I? Ok, ok... I couldn't end it like that.
Here we are, a whole 365 days (and posts) later. Those of you that have been with us from the start will know that initially this blog was conceived as a personal challenge. To make it as a DJ, or at least see how far I could get in one year.
It wasn't too long however before I realised how difficult that challenge was, especially to write about it every day AND make that interesting. It wasn't too long into the year then that the blog started taking a more wider approach, bringing you daily information about how you might be a better DJ and producer too.
All in all you might say that I largely failed in my initial goal. I could wheel out numerous reasons as to why, but I'll save that for the book ;). This however isn't to say that over all the whole idea was an exercise in futility, in fact nothing could be further from the truth.
Over the last 365 days, I personally have gone from a total novice DJ with no idea of how to make a tune, to having played at probably the largest and most well know electronic dance music festival in the UK, possibly world (at a brand level). I won 3 DJ competitions, and one music production competition.
Last January I thought I knew a lot, now I know 100 times more, and realise there is still many more magnitudes of things to learn. I have made friends, and contacts with a great number of people, and been lucky enough to be given many number of things relating to DJing and making music. All of this is a great privilege in itself.
Rather than tire of the subject forcing myself deeper into it for the purposes of the blog has stoked the fire of passion to new un-thought of heights. If I have been able to pass one one ounce of this enthusiasm and information along the way then that is success for me in itself.
In many ways I thought that this last post might be the end, but as I briefly hinted at yesterday if anything it's barely the start. In the new year new projects will be undertaken, and much more of my time will be spent doing more of the same thing, discovering more about the craft of DJing, and the art of Production.
Without doubt the blog has changed my life in many ways. Having a project like this is without doubt one of the best ways to totally immerse yourself in something that you care about. If one thing has become clear to me, it's that the old adage of "You get out what you put in" is bang on the money.
Just by sticking with it, and doing a little bit towards something day by day you will be surprised by how quickly and impressively you start reaping rewards. They may be in the form of financial gain, or freebies, but more often than not, the best rewards are the opportunities, ideas and experiences that come from pursuing something, with intent, for a sustained amount of time.
Many of the interviews, features and tutorials will remain here, but will also be ported over to the new site and updated. This blog will return to it's original purpose as a web-log for my own personal musical endeavours. It'd be great to have you stay around, and don't worry it wont be daily any more!
The new site will take it's residence at http://bangthedj.com and is open to contributions and collaboration if you too are interested in music/DJing/writing and anything related. Unfortunately I don't have a launch date yet as I am currently moving house (and countries!) but I would expect no later than February.
There will be a great many new and in depth features coming too as I take this on more or less as a full time job. There will even be a fairly big give-away to kick the site off.
For the producers among you, there will also be the launch of a digital record label. Distribution to all the big sites is in place and demos are being accepted.
So as you can see, many new and exciting projects in the pipeline, and these are just the ones I have told you about. There are a few more that are still at the ideas stage.
Therefore, it is with great pleasure and satisfaction that I bid you Happy New year, may you work hard towards the things that mean something to you, and if you do, you'll be sure to reap rewards.
Enjoy the music, and I'll see you on the other side.
James - Bang the DJ.
P.S. Below are a mix I never posted (the one that won me a Pacemaker) and my latest and I hope most accomplished track (with .wav download available) by way of a small gesture of thanks for reading!
73/365
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Well almost. One day left of the 'daily' blog. So, what are you all going to do once I deny you your daily fix of Bang the DJ?
Fear not, this isn't the end, it is merely the beginning. Over the last year we have constantly bought you updates, information guides, tutorials and more from he world of DJing and music production.
So I thought it would make sense to take it to the next level. To accomplish that we have some big plans in the pipeline. We move over from the blog format, and over into the more substantial, supersized fully fledged web-site/portal/on-line magazine style format.
Expect a lot more home grown multi media in the form of tutorial videos and video interviews with DJs and producers, also expect more quality in depth editorial, reviews of equipment competitions and much much more.
I am quite excited about the whole thing, and can't wait to get it up and out there. We are still developing the site as we speak so expect it to launch some time in February. I'll pass on more info here as and when I have it.
Although this will mean the end of the daily blog updates, the blog will still continue to run in a much more relaxed and personal manner serving more as a web log of my own personal DJ/Producer adventures.
I'll provide a full wrap up of everything tomorrow, but just thought I'd get the word out now, before tomorrows no doubt over long, rambling and tear jerking final post.
EZ.
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You couldn't have a DJ blog without mentioning the DMCs at least once.
If you don't know what the DMCs are, they are basically the World Cup of DJing. Definitely recognised as the most prestigious Turntablist event of the calendar. Big names like Craze, QBert, Roc Raida and A-Trak all earned their stripes at this very competition.
This years winner was DJ Shortee, who regularly gives tutorial videos etc over at Dubspot. They recently released a DMC2009 DVD, and while I just spoiled the ending for you, I don't think you'll mind once you see the trailer as it'll get you all pumped back up again and gagging to watch it.
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We reviewed a bunch of DJ courses in the week building up to Christmas, so I hope you found that useful, and maybe even treated yourself or a loved one to one...
Well this one I literally just found today. It claims to be free, and certainly appears to be (bar possibly a few bucks in fees). Though I think the idea is that you sign up for their VIP site at the end of it (you get a months free membership|).
I imagine you don't have to join the VIP and can just cancel your subscription, so still probably worth checking out. Certainly good if you wanted a course, but couldn't afford one, or are left skint after Christmas!
Have fun with it, I'll try and do a full review in the new year if I can.
http://howtodjfast.com/djguide.html
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Here are some of mine that I think many DJs might share, I would love to hear any others you might have.
1. Learn to Scratch
2. Learn to Scratch better
3. Master beat juggling for the hell of it
4. Start a small net label
5. Follow up on all the Dj related stuff that I promised I would do this year but never did for various reasons.
6. Learn to beat mix backwards.
7. Make lots of VIP edits of tunes, and baffle the trainspotters
8. Get a tune played out on national radio
9. Rediscover the joy of plain old LOUD DJing (sorry neighbours)
10. Blog less!
Ok, there you go, those are mine, let's see how I fair this time around.
She has a point...
73/365
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All the sherry has been drunk, and the turkey is well and truly dry by now. What's a DJ to do? Easy, watch this, and remember DJing is better than Christmas, and that's all that matters!
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We hope |Santa got you what you wanted, and that you get chance to have a Christmas Spin before the queens speech, and all the olds fall asleep infront of the telly.
Here is a great little Christmas Treat I found for you on youtoobs:
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First we had QBerts Scratch University, now we have the Scratch Academy, also endorsed by some of the biggest names in turntablism.
I discovered this via Indaba music, which if you didn't know already is a great music collaboration website, always offering up collaboration invites with big artists, or other such interesting opportunities.
They also have a thriving community, and many interesting sub sections to the web-site. One of which is their A.I.R pages which stands for Artists in Residence. This is where the collaboration between Indaba Music and the Scratch Academy can be found.
So basically the two sites have teamed up to bring you information and tutorials about becoming a scratch DJ essentially for free. Though I imagine the info isn't as deep as you might find directly on the Scratch Academy website, it's pretty good for free, and it is good to see Indaba bringing in top names and features such as this.
Below is a sample video showing you what we can expect to see on the Indaba mini site:
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It's nearly Christmas, and I must say there is an air of generosity this year. It's definitely the year of the internet give-away. If you haven't been following TATW's amazing daily give aways then you've been missing out!
Ableton themselves have also made a Christmas giveaway in the form of two Ableton live packs. Perfect for you motley bunch as they include live recordings of Break beats covering Breaks, Drum & Bass and Dubstep.
Here is a word from the artist himself:
“I’m KJ Sawka and I’m excited to introduce the ‘Mad Beatz’ drum n’ bass, dub step and breakbeat collection exclusively for Ableton Live, as a special holiday gift. I’m proud to be part of the world changing Ableton team!
‘Mad Beatz’ is mainly drum and beat-oriented stemming from a live acoustic drumming session recorded at the Art Institute in Seattle, Wa USA. There are also plenty of electronic drum loops, percussion, basslines and keyboard riffs.”
And of course the all important link to the goodies. Below a video of the recordings in action:
73/365
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We're now inside the last 10 days of the year, and after another long break I have another quick update about Bang the DJ.
I've entered a bunch of remix competitions over the last few months, and if nothing else they have been invaluable in improving my music production skills. However recently I was excited to find out I had actually been selected as a victor in one! This is great news for me as it at least shows I am making some decent headway, and this is being recognised by already established artists.
So, a pat on the back for myself, and this of course means adding some points to the tally below.
The remix was of Shamanix's excellent 'Blood Drop'. The original and video are below, then followed by my remix.
The official video:
My version:
Also Shamanix himself contacted me and asked if it was ok to release this as part of a remix package... yes I think so!!!
So according to my score card, and a bit of making it up as this eventuality wasn't covered (winning a remix comp) this earns as follows:
Tune on blog = 8
Tune released = 10
Competition win = 15
The last competition win earned me 10, however I have made this 15 due to not mentioning the Pacemaker competition I sneakily won out right a month or so ago. This won me the Pacemaker that I reviewed last Friday.
This mini round of points brings my total up to 73, which is ok considering the lack of effort I have made in the second half of the year.
A further and more complete update on all things Bang the DJ to follow before the end of the year.
73/365
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If there were still some people left that think Digital DJing isn't as much a skill as with Vinyl, it's time for them to watch this and stfu.
If anything this sort of technology totally ads a new dimension, and therefore exponentially difficult skill set. Half the time the skill is in the creative thinking about how to use this new technology. Sure things such as traktor may make the previous DJ skill set a bit easier, like beat matching and juggling. If you only use it to do those things then yes, it's fair to say you aren't earning your stripes so much.
Apply a little thought though and you soon realise this sort of thing is just small fry really, and if anything the lid is yet to be blown off of this technology, meaning much notoriety is still there and up for the taking.
So, the following video really should put an end to the digital Vs turntablist argument. End of story, let's move on.
P.S. the effect achieved in the video is done using just cue points on the track, and not single shot samples (which would be the easy 'prepared' way) meaning with skill this can be performed on the fly.
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So now they are finally in all the shops after all the hype and waiting. Now you just gotta decide which ones you want. Simple as it may initially seem (one is clearly superior to the other right?) it's not actually as straight forward as you might think.
From what I understand the 2000 is obviously the flagship model, yet it does lack a feature that the 900 has, and is considerably more expensive (some £500 or so) meaning you pay for a whole extra 900 when buying two of these.
No problems though, djsounds (from Pioneer themselves) has compiled a video guide series which should go a long way to helping you decide. There are 8 videos in total covering pretty much any question you might still have.
If like me you are wanting to jump into this next generation of CDJ, but want to make sure you are spending your (considerable amount of) money wisely, then these are required viewing.
Check out the full series here...
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After yesterdays mammoth post, today just a quick video turorial that needs no explaination.
If you make tunes in Ableton this will be very useful indeed, or if you every worry that you use too many samples then fear not... once you have watched this you will realise that that is probably ok!
Awe inspiring stuff!
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OK So this isn't a DJ course, but it is a DJ tool, a whole lot of fun, a gadget and therefore perfect present material.
I am of course referring to the Tonium Pacemaker. I have been drooling over these since the moment I saw them, and as it goes they are partly responsible for me getting into DJing properly, as the music on one of the adverts saw opened up a world of new tunes I'd not heard before.
There are lots of reviews, features and breakdowns of this product online already. I was lucky enough to get my grubby mitts on one of these recently, and I can't explain how happy I am with it.
So rather than repeat all the information you can already find online about it, I will simply review it from an actual end usage point of view.
When I first opened the box and powered the Pacemaker up I had already been watching video reviews about it online etc so I already vaguely knew how it worked. I was pleased then that on turning it on to find it already had a couple of tunes loaded on it, especially as I wasn't near my own computer.
Loading a tune to each "deck" I decided to dive in and try and get to grips with it. First of all by default the Pacemaker is set to CD Style cueing, which if you don't know is when it stutters the cue point, and you can adjust it back or forth. I personally found this very difficult to work with, though for some reason the compulsive in me was determined to get to grips with it.
After a modicum of success I soon found that you can change the cue setting to "vinyl" mode which is much better in my opinion. This is much like CDJs Vinyl mode, and unsurprisingly more like vinyl itself where you manually wind the tune on until you find your desired cue point. Press cue to set it, and you are away.
Once I had this sorted the fun really began.
It really is impressive the amount of control that you have in such a small device. To put it in perspective, this little gem has more features than my more expensive, much bigger dedicated iDJ2 console.
Naturally though what you get in features, you lose in work area. The Pacemaker for example comes fully loaded with EQs, gain control, hot looping (with loop splitter) and EFX. The EFX themselves are pretty impressive. Choose from Hi/Lo Cut, echo, roll, reverb, crush, delay, trans and wah. See, that's an impressive list by any ones standards.
The control surface is similar to that of an iPod jog wheel, cleverly divided into north south east and west. This means you tap from the center out to one of those four points to access the EFX or EQs, and then roll your finger round the side to adjust the amount. Tapping twice in the centre then doing the same allows you to adjust other parameters for that effect, such as roll amount etc.
This clever use of space is really what gives the Pacemaker the edge. It would have been easy to cram in the basic pitch controls and mixer interface and leave it there, but they really have made the extra effort in making it as close to a pro DJ console as possible.
The 'decks' are accessed by a select button on either side, and once pressed, anything you do (apart from cross fade) will affect this channel only. This keeps things tidy, but the only downfall is that you have to be very careful to remember which side you are working on, else it can go horribly wrong!
An example might be that you have Track A playing, and Track B in the headphones, beat matching. You cut the bass from track B, and then switch over to control track A. On a normal mixer you could adjust the Bass EQ controls for both tracks at the same time blending them over, but this can't be done while controlling one track at a time. Sometimes if you are not careful too you can roll off the bass of the main track forgetting which side you have left switched on too!
There is a setting that lets you adjust the effect with the fader, so as you go from one track over to the other it rolls the bass off of one and brings it up on the other. This is a reasonable solution to this problem, but requires turning this effect on and off each time, or just leaving it on always, which might not be desired.
Once you get the hang of these subtle nuances however you really can get rocking. I've tried it out over my Amp, and the sounds seems punchy and responsive. The controls are tactile, and as mentioned cleverly placed, sometimes it really is easy to get lost in the fun of it all.
My only drawback on the hardware side of things is the "P" button, which is a slider on the side which again allows quick access to multiple features (it basically acts like a Shift Key). This feels a little wobbly to me, and if you have larger hands of chunky fingers like me, sometimes feels like it might snap off over time. We shall see on that one.
Software wise, for me the only gripe is that (as far as I know) the beat counters can't be turned off, and they can be quite distracting. Especially if you are learning to beat match, and you want to do it all manually so you know you got it right. The display also has a beat grid which shows you if the beats are aligned. It seems pretty accurate but also distracting and, as before, if you want to be a purist, there doesn't seem to be the option to turn it off.
Lastly, sometimes the beat grid drifts quite wildly, despite the beat counters insisting you speed up/slow down the track, as if they are not co-ordinated. Again this can be quite distracting, and stops you from using just your ears, which is what you really want to be practising with.
Those small gripes aside though really don't take away from the sheer brilliance of everything else.
The bundled software is slick and easy to use. Great for organising your DJ library too to make it easier to find tracks once they are on the Pacemaker with it's not too large screen. You can also record mixes with the Pacemaker cleverly through the use of Meta data, which can then be transferred to the software, and exported as an audio file all very efficiently. You can also edit the mix on the software to tighten up that wonky mid set mix ;).
Easily the best DJ gadget on the market right now and if I am honest for the foreseeable future too. The new 60gb version is £299.99 most places, and while that may seem a lot, once you feel the quality, and have a go, it'll soon seem like a bargain.
Thoroughly recommended.
40/365
p&&l
bang!
So far this week we've had DJ courses in Book format, DVD, and Online Video. Today's course is a bit of a combination, coming in the form of online videos with an accompanying e-book.
The course is DJ Master Course.
Created by Australian DJ Benny Drohan, DJ Master course is very well produced. The videos look slick, and the e-book has a very professional feel. This isn't just some quick rushed up cash money idea. There has obviously been some time spent in putting this together, and making it look the part.
Here is a breakdown of some of the topics covered (taken from the web-site):
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Continuing our mini series of product reviews we now take a look at an online only resource - Sonic Academy.
I first found out about Sonic Academy whilst doing some youtube searches ages ago, and it instantly caught my attention. Something about the look and feel of it straight away made me feel like this was a course/resource almost directly aimed at me.
Basically Sonic Academy is a subscription based service. They make their own video tutorials covering a host of DJ and Production related topics. Literally everything to do with electronic music is covered, but there is a definite leaning to the club and DJ side of things.
The tutorials I am going to cover today are the specific DJ related ones, as this is the theme of the mini-series.
SA offer two specific DJ courses, one is straight up meat and potatoes Vinyl DJing, and the other is DJing with Ableton. Therefore you have the option of the Vinyl course which is suited to someone just making their first steps into DJing, or the Ableton course maybe for someone who has earned their Vinyl Stripes, and wants to move into the digital world.
Both courses are laid out in a modular fashion, about 9 or 10 separate videos, each tackling a different topic.
In the Vinyl course, all the essentials you might need to get beat matching are covered. All the Sonic Academy courses are given by experienced industry professionals who have made their names as DJs and Producers, so you know you are in safe hands.
The Ableton course is also well laid out. I learnt a fair few neat tricks about general Ableton use as well whilst viewing the course, tips that are useful even beyond the DJ side of things.
Over all, both courses are simple to digest, full of useful tips and information. The vinyl course wont hold much interest for the learning DJ who already knows how, but just can't yet beat match, however is perfect for beginners. And as above the Ableton course is well suited even for users with some experience.
The courses can be bought individually, even on a per module basis (£3.99 each) or you can subscribe to the service annually and have access to every single course they have ever done, that's many many hours of video.
I myself have subscribed, and will certainly be renewing it. The site also has an active online community that is great for getting help and ideas etc.
They are even offering gift subscriptions so ideal for that DJ stocking filler! Below is a sample video from the DJ course, there are more free videos to check out on their web-site.
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Today's review is of the DVD "DJ's Complete Guide". The title kinda says it all right there.
The change of media format brings with it a change of style. Books enable a large amount of information that is easily referenced, but Video boasts the ability to actually show you what to do, and this for some people is an important thing.
This DVD is presented by some chirpy blond lady, who takes the roll of presenter/interviewer/student whilst most of the DJ advice is dispensed by Miles Batty, a working DJ in London.
The structure of the DVD is fairly straight forward taking you through the basics, setting up equipment etc. Then a new topic is introduced as the presenter/student 'progresses'.
All the important topics are covered, equipment, beat matching etc and the delivery style is easy to understand.
The over all production quality is basic, but functional and the 90 minutes running time is enough to give you the information you need with out dragging it out.
Whilst this is most definitely aimed at the novice/beginner DJ there are still some nuggets of information within that could prove useful to intermediate. As is the nature of DJing, everyone does it differently, so there is always something to be learned.
Over all a good gift for the novice, or someone who hasn't yet taken up DJing, but wants to get a first look in, without committing the considerable hours required of a book.
Available now on Amazon here.
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The Dummies brand is well known by everyone these days, and they seem to have reached out to almost every corner of interest, pastime and activity. DJing is no exception, and we were lucky enough to get a copy to review.
The book is written by John Steventon, who is a real world working DJ who got into the game back in the 90s. Inspired by listening to other DJs he started making notes about the art, and later published these online, back in the early days of the internet. These notes grew and expanded and became a well respected resource online for DJing info, which is still there today: www.recess.co.uk
Anyone who has ever read a dummies book will know the format already, but for those few that haven't opened the yellow book of knowledge, simplicity and clarity is the key here. The books are deservedly famed for their unassuming and easy to read style. DJing for dummies is certainly no exception.
The first thing you notice with the book is that you feel like you are being taught by a friend in your bedroom. Such is the style of writing that even some of the less interesting subjects, such as connecting up a mixer feel like idle banter between friends.
John delivers this friendly nature throughout the book, and peppers it with his friendly manner, and dare I say it bad jokes ;).
Another excellent feature of this book is it's comprehensiveness. Literally every aspect is covered from equipment, song structure, beatmatching, scratching, networking, getting a gig, and much much more.
Some of the resources I have read have tended to either just rush you through beat matching, or how to scratch, and kinda leave it there. In DJing for Dummies however there are many many elements that I hadn't even thought about that are covered. All of them real world and useful. Just simple things about various settings while using the headphones, or what to do when a gig goes wrong (often accompanied by a real world field story based on the authors own experience).
Therefore, due to the ease of reading, the comprehensiveness of the content, and the level of knowledge you will acquire, I have to give this a definite personal recommendation for any budding DJ that wants to be guided into the art almost effortlessly.
Naturally the book is available at all good book shops, and online such as here. A bargain at under £10 via Amazon.
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Ok there are plenty of things you can get them of course, ranging from the fabulous new CDJ2000 (pricey!) through to a mini torch for finding records in those dark DJ booths. However in keeping with the theme of this blog... how to be a DJ, I thought I would run a set of features over the week reviewing products that are about just that.
Starting tomorrow I will be reviewing different 'Learn to DJ' resources that are out there on the market. From Books, to DVDs, to online courses. All of them tried/viewed/read in person by yours truly. All of them are friendly on the pocket rolling in mainly under the £/€20 mark so all entirely affordable too.
I hope this might help those of you looking for those last minute gifts in the run up for Christmas!
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